Regardless of what we associate with it, darkness can be disorienting and even threatening: the unknown, the obscure, the void. But is there always an escape from it? What if darkness, rather than being merely an absence of light, can be reimagined as potential through a shift in perspective? “The future is dark, which is the best thing the future can be,” Virginia Woolf once wrote. 30 appearances out of darkness turns the confrontation with darkness into a promising reality.
In the performance, Arno Schuitemaker creates an experience where the dark reveals a new dimension. Barely lit images emerge in a pitch-black space, sometimes on the edge of perception. Assumptions we make of what we see are challenged as a group of performers moves across the stage. Not everyone is visible at once, yet their presence is always strongly felt. This world has its own kind of gravity and absorbs everybody, gradually transforming from a place of protection to hope to conquest.
Arno Schuitemaker: “Maybe it is proof that I am getting older, but I feel that I am less and less resisting the vulnerability of life. While reading Derek Jarman’s book Chroma, some of his words strongly resonated with me: ‘Is black hopeless? Doesn’t every dark thundercloud have a silver lining? In black lies the possibility of hope.’ It encouraged me to explore the significance of this paradox and its capacity to benefit and shape us. Maybe we can find enlightenment by disappearing in darkness, if only to be able to come out on the other side.”
30 appearances out of darkness was ranked in the top 5 best performances of the season by de Volkskrant. "An exceptional all-enveloping crescendo in dance, light and sound that fascinates right until the redeeming finale."
Find more reactions in the press, performance dates, and the credits below.
Hopefulness is risky, since after all it is a form of trust,
trust in the unknown and possible.
Hope in the Dark — Rebecca Solnit
Top 5 best performances of the season - de Volkskrant
"Between black velvet pillars, the contours of naked bodies emerge one by one. (...) Schuitemaker gradually creates a space for a redeeming finale in this all-absorbing game of disappearing and appearing. It is an impressive feeling to realize that afterward your head is glowing." — Annette Embrechts, de Volkskrant ★★★★
"In pitch darkness, you look to emerging then fading dancers, barely lit yet fully present, sometimes only with a silver outline of their bodies (…) Must-see of the year." — Alexander Hiskemuller, Scenes
"Movement, light, and sound engage in a perfect dialogue (...) The pivotal moment of the performance is when a voice breaks through the instrumental score. The intense humanness of a voice and a body is very touching." — Heleen Westerik, Cultuurpers
"The numerous contrasts between music, light, and the interpretations of an intense, rhythmic, and extremely energetic choreography make this immersive experience an extraordinary, absolutely mind-blowing, and spellbinding performance." — Sophie Lesort, Danser Canal Historique (France)
"30 appearances takes the form of a phantasmagoric fresco, oscillating between darkness and light, sometimes at the edge of visibility, inhabited by undulating silhouettes and pierced by obsessive pulsations. Powerfully evocative, the entire piece ignites both the imagination and the senses." — Jérôme Provençal, Les Inrockuptibles
"Both the dancers and the audience journey from stillness and darkness to light and movement, from one extreme to the other (...) It is a hallucinatory experience." — Kester Freriks, Theaterkrant
Creation: Arno Schuitemaker
Performers: Ivan Ugrin, Ahmed El Gendy, Emilia Saavedra, Frederik Kaijser, Rex Collins, Clotilde Cappelletti, Jim Buskens, and Paolo Yao
Dramaturgy: Guy Cools
Music: Aart Strootman
Lighting design: Jean Kalman
Set design: Jean Kalman, Arno Schuitemaker
30 appearances out of darkness is a production of SHARP/ArnoSchuitemaker in coproduction with La Place de la Danse – Centre de Développement Chorégraphique National / Toulouse-Occitanie and POLE-SUD - Centre de Développement Chorégraphique National Strasbourg. Supported by Fonds Podiumkunsten, Amsterdams voor de Kunst, Fonds 21 and Zabawas. Many thanks to the Holland Festival.